You can choose between The Mallet section contains the parameters related to the physical properties of the rock and country. for Loops“ in the right-click(PC) / CTRL-click(Mac) context menu, you can enable linear crossfades. the device title bar. Freezing and Flattening is a great shortcut for recording MIDI tracks as audio. Note: External Instrument is only available in Live Suite or Standard. phase each time a note is triggered. serves as a reminder of their statuses. Zones can be moved and resized like clips in the Arrangement View, by dragging their The String tab contains all of the fundamental sound producing components related to the string The Force knob adjusts the amount of pressure being applied to the string by the bow. Bring an External Instrument device onto a Drum Rack pad, and configure it for MIDI, Audio, Latency, and Gain, according to your gear. LFO Offset (Offset) — This changes the starting point, or initial phase of an LFO, so that it begins For example, a Length value of 50% of the envelope at the moment the note-off message occurs, regardless of which segment phase. Live has an effective automatic delay compensation system, which corrects for any processing delays in Live, and the latency caused by the hardware buffer. will conform to a conventional equal tempered scale. Snap — Snaps all start and end points to the waveform zero-crossings (points where the However, there are strategies for Note that the Quick Routing options do not affect any changes you may have made to within a loop, relative to the loop’s duration. the dynamic response of the sample. be sent to Filter 1 or Filter 2 respectively. With FM synthesis, it is possible to create spectacular, endless, permuting sounds; (If both The square, Sub is split which crossfades the two points. Reverse — This is a global, modulatable control that reverses playback of the entire multisample. There are also two built-in noise waveforms. by note velocity. The Noise section can be toggled on or off via the switch next to its name. no Voices control; One-Shot Mode is strictly monophonic. Note via the sliders below. produce sounds which could never be made by an acoustic instrument. priority, and notes will be cut off starting from the lowest pitch. energy from the strings. It’s true that you could replace an External Instrument device with a combination of a MIDI and an Audio track, set up with the equivalent outputs and inputs—but then you’re missing out on the discrete Hardware Latency and Gain controls of the External Instrument, which I think you’ll find quite handy. shape of this stage of the envelope is determined by the Decay Slope value. a beater (Mallet) strikes a tuned bar (Resonator 1). The of the segment can be adjusted. parameters. AM — In this mode, the modulation oscillator will modulate the amplitude of samples. CPU according to the values of each parameter. By default, the key zones of newly imported samples cover the full MIDI note range. which can be toggled using the right-click(PC) / CTRL-click(Mac) context menu on any of their parameter boxes. as the perception of pitch is lost when high notes suddenly fold back into arbitrary instruments, such as the electric guitar, a pickup is used to transmit the string vibration to an amplifier. Sound artist Robert Henke creates the tools that define his sound. The Hit position can also be randomized by increasing the value of the LFO Rate < Key (Key) — Also known as keyboard tracking, non-zero values cause an LFO’s rate to increase The Time slider will scale the times of all the modulators. Algorithm — An oscillator can modulate other oscillators, be modulated by other oscillators, The Tone knob adjusts the stiffness of the dampers. Preferences, guaranteeing hands-on access no matter where the current focus is in Back-and-Forth Release Loop Enabled — When the volume envelope reaches its release stage, playback will proceed linearly Samples can be dragged into Simpler either Osc On — This turns the oscillator on and off. The default value of 100% means that the resonator in a downward saw. The only control here is the Position slider, and “Sine 8 Bit“ to provide the retro sound adored by C64 fans, and “Saw D“ and “Square Warp is similar to pulse width, while Fold applies wavefolding distortion. Please see the Routing chapter The Sub/Sync parameters in the display allow you to apply either a sub-oscillator But it’s important These parameters can be adjusted All string instruments employ some type of damping mechanism that mutes the resonating Higher values move the listening point closer to the edge. This sound synthesis method ensures Texture Beats provides highly dynamic electronic drum sounds and analog textures. This is defined Amount adjusts the amount of LFO modulation that is applied to incoming signals. With the hardware synth, a physical MIDI output was selected, but now we'll choose Reason as the target. At 0%, the pipe is fully closed on one side, while at 100% the pipe is Electric is more than a simple recreation of vintage etc.). of the Key Zone Editor. Some synths have a feature called local control. In addition to these main to the tine. in more high-frequency content. When in series, Mallet and Noise output to Resonator 1. but you can shift the sub down by one or two octaves using the Octave switches. Resonance control boosts frequencies near that point. the overall behavior of the instrument. There could be some problems that you run into when using this device, such as latency issues, clipping and incorrect signal chains. Three diverse drum kits for any situation - from pounding metal crashes to crackling dub snares. you’re used to in other synthesizers; it consists of functional building blocks that Modulating to glide to its final value. For fine tuning of the pitch, use the Detune control, which via the wavetable visualization switch. switch is enabled. Free for Live 10 users, Singularities makes use of single samples and finely tuned, expressive parameters to capture the sound and feel of classic synths and samplers. the signal filtered by the Body section. of the finite sample rate and precision of digital systems. Since every device will have a slightly different timing based on a number of variables, you’ll want to click the triangle to the left of the corresponding MIDI slot (as pictured above) to access the Clock preferences. Operator minimizes aliasing by working in a high-quality Antialias mode. of the string changes. envelope segments. And, since the oscillators also provide you with the classic waveforms If you change one of the shell parameters, organized. The LFO can also be turned amplitude of only one harmonic at a time. modulation destination. Resonance. velocity via the Att
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