He was also in charge of the studio that Leonardo was accepted into at age 14. c. 1435–1488 born Andrea di Michele di Francesco de' Cioni, was an Italian sculptor, goldsmith and painter who worked at the court of Lorenzo de' Medici. Sie suchen nach systematischer Inspiration für Ihr Team. Our editors will review what you’ve submitted and determine whether to revise the article. A penetrating realism distinguishes his terra-cotta bust of Giuliano de’ Medici (c. 1475/78) from the idealization of the individual that characterizes his marble bust known as Lady with Primroses (also called Woman Holding Flowers) (1475–80). It had been left unfinished and was completed by Lorenzo di Credi when Verrocchio was in Venice near the end of his life. Verrocchio is unlikely to have ever seen Colleoni and the statue is not a portrait of the man but of the idea of a strong and ruthless military commander "bursting with titanic power and energy". Depicting the Beheading of St. John the Baptist, this work was delivered in 1480. The most important of his students were Leonardo da Vinci and Perugino, the latter Raphael’s teacher. A competition was arranged to enable a sculptor to be selected. Ein Grund mehr, unser Institut Verrocchio Institute for Innovation Competence zu nennen. Verrocchio made a model of his proposed sculpture using wood and black leather, while the others made models of wax and clay. Gleiches berichtete auch Vasari, als Architekt auch ein Pionier unter den Kunstchronikern und Zeitgenosse Leonardos. Bartolomeo Colleoni, bronze equestrian statue by Andrea del Verrocchio, c. 1479–92; in Campo di Santi Giovanni e Paolo, Venice. Kompetente Stimmen neigen dazu, die Hand Leonardos nicht nur im Gesicht des Engels, sondern auch in Teilen der Bekleidung und des landschaftlichen Hintergrunds, welche sehr charakteristisch und in seinen zugeschriebenen Werken wiederzuerkennen ist, anzuerkennen. Think you know your artists? [8] The name has gradually evolved into the name Verrochi. Try to remember if these famous names were painters or architects. 201–3. Little accurate biographical information is known about Verrocchio. The latter work created a new type of Renaissance bust, in which the arms of the sitter are included in the manner of ancient Roman models. Denn: Es ist Zeit für eine neue Renaissance! Despite the importance of Verrocchio's workshop in the training of younger painters, very few paintings are universally recognised as his own work and there are many problems of attribution. Andrea del Verrocchio (/vəˈroʊkioʊ/,[1][2] also US: /-ˈrɔːk-/,[3] Italian: [anˈdrɛːa del verˈrɔkkjo]; c. 1435 – 1488), born Andrea di Michele di Francesco de' Cioni, was an Italian painter, sculptor, and goldsmith who was a master of an important workshop in Florence. Contrived with great technical assurance and modeled with power and sensitivity, it forms a fitting climax to Verrocchio’s sculptural career. It’s said that the model for the bronze was da Vinci (1452-1519), who at the time was one of Verrocchio’s assistants. Verrocchio war zwar kaum einer der großen kreativen oder erfinderischen Kräfte in der Kunst seines Zeitalters in Florenz, er war aber ein erstklassiger Handwerker, sowohl als Goldschmied, als Bildhauer und auch als Maler. For life see Passavent pp. [28] This is in contrast to Donatello's statue at Padua of the condottiere known as Gattamelata with its "air of calm command" and all Verrocchio's effort "has been devoted to the rendering of movement and of a sense of strain and energy". [18] It was purchased by the Signoria of Florence from Piero's heirs Lorenzo and Giuliano de' Medici in 1476 and is now at the Bargello in Florence. The ball was struck by lightning and fell on 27 January 1601 but was reconstructed in 1602. [16], In the early 1470s he made a voyage to Rome, while in 1474 he executed the Forteguerri monument for the Cathedral of Pistoia, which he left unfinished. April 1452 – 2. Are you willing to make yourself familiar with new innovation methods? 102), Pietro Perugino († 1523) (Abb. A lui spetta il dolce volto dell'angelo di profilo, dove si nota il suo caratteristico stile sfumato , ma anche le velature trasparenti a olio che unificarono i … Es ist das Hauptwerk unter den Gemälden Verrocchios und stammt aus der zweiten Hälfte des 15. In 1479 the Republic announced that it would accept the legacy, but that (as statues were not permitted in the Piazza) the statue would be placed in the open space in front of the Scuola San Marco. His main works are dated in his last twenty years and his advancement owed much to the patronage of Lorenzo de' Medici and his son Piero. Articles from Britannica Encyclopedias for elementary and high school students. Andrea del Verrocchio hieß in Wirklichkeit Andrea di Michele di Francesco da Cioni, nannte sich jedoch nach seinem Lehrer Verrocchio. Another questionable biographical tradition is that of his apprenticeship under Donatello, the greatest Italian sculptor of the early Renaissance. Updates? Auflage, ISBN 978-1-9831-3666-5, € 29,31, Die Sforza III: Isabella von Aragon und ihr Hofmaler Leonardo da Vinci, 488 Seiten, 322 Abbildungen und Stammtafeln, €49.90 (Format 21 x 27 cm). Leopardi cast the bronze very successfully and the statue is universally admired, but Pope-Hennessy suggests that, if Verrocchio had been able to do this himself, he would have finished the head and other parts more smoothly and made it even better than it is. Verrochio had been at work in the Funerary Monument to Cardinal Niccolo Forteguerri, Pistoia, when he departed for Venice in 1483. Though its effect has been altered by changes and additions foreign to Verrocchio’s original design, the Forteguerri cenotaph contains some of the artist’s most important relief sculpture. For this figure, the Master is purported to have used the young Leonardo, a newcomer to his workshop, as his model. Dieser letzte Teil der Geschichte ist aber sicher unzutreffend. David A. Levine, & Jack Freiberg (Eds. NARRATOR: When Leonardo arrived in Florence, the most esteemed painter was Andrea del Verrocchio. It was erected in 1496 in the Campo di Santi Giovanni e Paolo in Venice. Freiberg, Jack (2010): "Verrocchio's Putto and Medici Love". Seated before a shimmering landscape seen through a veil of light and atmosphere, the young Ginevra regards the viewer with a sober gaze befitting her virtue and chastity. [29], 15th century Italian sculptor, goldsmith and painter, Portrait of Verrocchio by Nicolas de Larmessin. In Verrocchio's sculpture of David below it's believed that a young Leo was the model. [17], A bronze statue of David was commissioned by Piero de'Medici. Nicht nur als Künstler war da Vinci einer der wichtigsten Wegbereiter der Renaissance, auch seine Fähigkeiten als Wissenschaftler und Erfinder werden bis heute als außergewöhnlich angesehen. Verrocchio never married, and had to provide financial support for some members of his family. There is a story that when Little Leonardo assisted him with the angels in the lower left hand corner of the painting to the left that he said he would give up painting because a youth could do better than he ever could - probably not totally true but shows how quickly da Vinci grew into a great artist. Around 1465 Verrocchio is believed to have worked on the lavabo of the Old Sacristy in San Lorenzo, Florence.[13]. Di Credi was also the administrator and principal heir of Verrocchio’s estate. Verrocchio war zwar kaum einer der großen kreativen oder erfinderischen Kräfte in der Kunst seines Zeitalters in Florenz, er war aber ein erstklassiger Handwerker, sowohl als Goldschmied, als Bildhauer und auch als Maler. He was the son of Michele di Francesco Cioni, a maker of bricks and tiles who later became a tax collector. Free of charge and geared to practice. It is now in London at the National Gallery.[12]. The movement of the horse and commanding forward gaze of Colleoni gives the impression that the warrior is riding into battle at the head of his troops, who press behind. [6] Of the artist's pedagougery the Florentine poet Ugolino Verino wrote that.. "Whatever painters have that is good they drank from Verrocchio’s spring"....[7]. Zudem versorgte ihn Lorenzo de' Medici (Abb. 101), Lorenzo di Credi (Abb. Diese innere Haltung zieht sich wie ein roter Faden durch die Erfolgsgeschichten von großen Erfindern der Vergangenheit und zeigt sich besonders am Beispiel von Leonardo da Vinci. The Madonna enthroned with John the Baptist and St Donato is in the Pistoia Cathedral. In 1467 the Tribunale della Mercanzia, the judicial organ of the Guilds in Florence, commissioned from Verrocchio a bronze group portraying Christ and St. Thomas for the centre tabernacle, which the Tribunale had recently purchased, on the east facade of Orsanmichele to replace a statue of St. Louis of Toulouse, which had been removed. Let us know if you have suggestions to improve this article (requires login). The only surviving painting that according to documentary proof should be by Verrocchio, an altarpiece of the Madonna and Child with Saints in the Donato de’ Medici Chapel of the cathedral at Pistoia, was not completed by the master himself. – Identifizierung einer Unbekannten mit Hilfe historischer Quellen, als Buch bei amazon.de: 172 Seiten, mit Stammtafeln und 136 Bildern (130 Bilder in Farbe), Independently published, 1. Verrocchio had to support several of his brothers and sisters. He therefore had the problem of placing two statues (more than life size) in a tabernacle originally intended for one. In the late 1470s Verrocchio produced two portrait sculptures. At the end of his life, Verrocchio opened a new workshop in Venice, where he was working on the statue of Bartolomeo Colleoni, leaving the Florentine workshop in charge of Lorenzo di Credi. But it is assumed that he and Sandro Botticelli worked together under the early Renaissance master Fra Filippo Lippi in Prato, a city near Florence, where Lippi had been commissioned to execute a series of murals for the cathedral. Yale University Press, New Haven, 1998, ISBN 0-300-07246-5; Franziska Windt: Andrea del Verrocchio und Leonardo da Vinci: Zusammenarbeit in Skulptur und Malerei. Even while he was in Venice his Florentine workshop was maintained and directed by his favourite student, Lorenzo di Credi. Er war der führende florentinische Bildhauer seiner Zeit. Seated before a shimmering landscape seen through a veil of light and atmosphere, the young Ginevra regards the viewer with a … Sua madre Gemma mise al mondo otto figli ed Andrea fu il quinto. Dating from about 1477/78 is a terra-cotta relief of the Madonna coming from the Florentine hospital of Santa Maria Nuova. 48–51 & 188. "Think well to the end, consider the end first. Beruflich war er in Venedig und Florenz tätig. Heute ist die Zusammenführung von unterschiedlichen kreativen Kompetenzen übrigens ein Grundprinzip erfolgreicher Innovationsteams. ), Medieval Renaissance Baroque: A Cat's Cradle for Marilyn Aronberg Lavin. Er wurde im Jahre 1435 als viertes Kind des Ziegelbrenners Michele di Francesco Cioni und dessen Frau Gemma in Florenz geboren. (The cross on top was made by other hands). In 1488 while in Venice, Verrocchio died. Are you wondering what the job of an Innovation Coach looks like? He began a nine-year apprenticeship at the age of 14 to Andrea del Verrocchio, a popular sculptor, painter and goldsmith who was an important figure in the art world of the day. c. 1435–1488 born Andrea di Michele di Francesco de' Cioni, was an Italian sculptor, goldsmith and painter who worked at the court of Lorenzo de' Medici. In seinem Atelier arbeitete Leonardo mehrere Jahre lang (um 1470–1477) unter anderem in Gesellschaft von Lorenzo di Credi und anderen weniger berühmt gewordenen Schülern. Sie war gleichzeitig eine gut besuchte Ausbildungsstätte für junge Künstler der Hochrenaissance (unter anderen Sandro Botticelli, Lorenzo di Credi, Leonardo da Vinci und Perugino). Andrea non si sposò mai e dovette provvedere al sostentamento di alcuni tra i suoi fratelli e sorelle, a causa dei problemi economici della sua famiglia. Das Werk wurde wahrscheinlich um 1470 angefertigt, als Leonardo 18 Jahre alt war. His rise to artistic prominence, which he owed chiefly to encouragement by Piero de’ Medici and his son Lorenzo, the leading art patrons of Florence, evidently began only after the death, in 1466, of Donatello, who had been the Medici favourite. [10], A painting in the National Gallery in London (cat. In 1475 the Condottiero Colleoni, a former Captain General of the Republic of Venice, died and by his will left a substantial part of his estate to the Republic on condition that a statue of himself should be commissioned and set up in the Piazza San Marco. Obwohl sein Vater beruflich bis zum Steuereinnehmer aufsteigen konnte, ging es der Familie nach dessen frühem Tod sehr schlecht. Several great artists like Leonardo da Vinci and Lorenzo di Credi passed through his workshop as apprentices. Als Verrocchio diesen sah, erkannte er die große künstlerische Überlegenheit gegenüber seinem eigenen restlichen Werk, was ihn angeblich dazu veranlasste, der Malerei für immer abzuschwören. Discover anything and everything about Leonardo da Vinci. 83–100. Wenn heute über Kreativität und Innovationen gesprochen wird, dann fallen häufig Begriffe wie Design Thinking, Disruption und Open Innovation. Largely executed by his pupil Lorenzo di Credi, its handling is inconsistent with that of the Baptism of Christ (c. 1470–75), which has been attributed to Verrocchio ever since it was first mentioned in 1550 by the Renaissance biographer Giorgio Vasari (1511–74) in his Vite de’ più eccellenti pittori, scultori, ed architettori italiani… (Lives of the Most Eminent Italian Painters, Sculptors, and Architects…). Be on the lookout for your Britannica newsletter to get trusted stories delivered right to your inbox. Transcript. Für 1478 ist ein wichtiger Auftrag der Signoria und 1480 ein anderer von den Mönchen von San Donato in Scopeto dokumentiert. NOW 50% OFF! He was at first apprenticed to a goldsmith. His greatest importance was as a sculptor and his last wo… Um 1472 findet sich sein Name in den Listen der St.-Lukas-Gilde, der Malergilde von Florenz. His father, Michele di Francesco Cioni, initially worked as a tile and brick maker, then later as a tax collector. Leonardo da Vinci was born in a Tuscan hamlet near Vinci. Andrea del Verrocchio hieß in Wirklichkeit Andrea di Michele di Francesco da Cioni, nannte sich jedoch nach seinem Lehrer Verrocchio. Sandro Botticelli, the major Florentine painter of the late 15th century, and Francesco di Giorgio, the important Sienese artist, clearly oriented themselves toward Verrocchio’s art in certain phases of their development, as did the prominent Florentine sculptors Benedetto da Maiano and Andrea Sansovino. Sie suchen die noch unentdeckten Probleme Ihrer Kunden? [20], At a date unknown (suggestions range from 1465 to 1480: Pope-Hennessy said about 1470) he finished in bronze a Putto (winged boy) with Dolphin, originally intended for a fountain in the Medici villa of Careggi and later brought to Florence for a fountain in the Palazzo della Signoria by the Grand Duke Cosimo de' Medici. Executed between 1467 and 1483, the work is remarkable for its technical perfection, highly intellectual sense of compositional design, and understanding of the subtle emotional nature of the subject. Seine Freizeit gehörten der Geometrie und der Musik. Bei Recherchen zum Werdegang des Genies tauchte dabei immer wieder ein Name auf: Andrea del Verrocchio. Doch in diesem Jahr scheint er in die besondere Gunst Lorenzo de Medicis gekommen zu sein und als unabhängiger Künstler unter dessen Patronage von 1482 bis 1483 gearbeitet zu haben. Verrocchio’s earliest surviving example of figurative sculpture is a small bronze statue of David, which is generally dated before 1476. [25] Although it was not placed where Colleoni had intended, Passavent emphasised how fine it looks in its actual position, writing that "the magnificent sense of movement in this figure is shown to superb advantage in its present setting"[26] and that, as sculpture, "it far surpasses anything the century had yet aspired to or thought possible". His pupils included Leonardo da Vinci, Pietro Perugino and Lorenzo di Credi. Das ursprünglich in Tempera gemalte Bild hat leider viele spätere Übermalungen in Öl erdulden müssen, so dass ein fundiertes zeitgenössisches Urteil schwierig ist. He was the son of Michele di Francesco Cioni who was a tax collector but earlier in his life he was a tile and brick maker. Nacque a Firenze tra il 1434 e il 1437 nella parrocchia di Sant'Ambrogio(la sua casa natale si trova oggi tra via dell'Agnolo e via de' Macci). Andrea, den man aufgrund seiner äußerlichen Erscheinung und seiner schlichten Kleidung eher für einen einfachen Arbeiter als für einen Meister so berühmter Künstler halten konnte, wurde als ruhig, schweigsam, unscheinbar, im Alter weitsichtig werdend und zeitlebens als unermüdlich und gewissenhaft arbeitend beschrieben. "[14], In 1468 Verrocchio made a bronze candlestick (1.57 metres high), now in the Rijksmuseum, Amsterdam, for the Signoria of Florence. Da Vinci verbrachte 7 Jahre als junger Künstler in der Werkstatt von Verrocchio, neben weiteren bekannten „Auszubildenden“ wie Perugino und Lorenzo di Credi. By the way: We don't like spam mails and, certainly, neither do you. Verrocchio’s reputation as one of the great relief sculptors of the 15th century was clearly established with his cenotaph, or memorial, in the cathedral at Pistoia, to a Tuscan ecclesiastical dignitary, Niccolò Cardinal Forteguerri. Are you willing to be up-to-date as to the subject of innovation? It has been suggested that he was later apprenticed to Donatello, but there is no evidence of this and John Pope-Hennessy considered that it is contradicted by the style of his early works. It was originally commissioned for a fountain in the Medici villa in Careggi, near Florence. Leonardo da Vinci Verrocchio c. 1435–1488 born Andrea di Michele di Francesco de' Cioni, was an Italian sculptor, goldsmith and painter who worked at the court of Lorenzo de' Medici. His greatest importance was as a sculptor and his last work, the Equestrian statue of Bartolomeo Colleoni in Venice, is generally accepted as a masterpiece. For this reason, your data will be safe with us and we will never pass them on to third parties. A second bronze figure, the Putto with Dolphin, is important in the development of freestanding Renaissance sculpture for its spiral design, which represents a successful effort to evolve a pose in which all views are of equal significance. Seit vielen Jahren sind die 7 Lebensprinzipien Leonardos auch ein wichtiger Baustein unserer Ausbildung zum Innovation Coach denn sie zeigen auf faszinierende Art und Weise, welche Haltung für innovative Schaffenskraft entscheidend ist. Hier lebte und arbeitete er weitere zehn oder elf Jahre und wird bis 1477 immer noch als Schüler oder Lehrling Verrocchios bezeichnet. 103), der spätere Lehrer Raffaels, und zeitweilig auch Botticelli († 1510) (Abb. His equestrian statue of Bartolomeo Colleoni, erected in Venice in 1496, is particularly important. The most important of his students were Leonardo da Vinci and Perugino, the latter Raphael’s teacher. Die Taufe Christi ist ein Gemälde von Andrea del Verrocchio unter Mitarbeit des jungen Leonardo da Vinci sowie eventuell einer weiteren Person. Bis heute staunen wir über seine Erfindungen, die ihrer Zeit teilweise hunderte von Jahren voraus waren (wie z. Article media libraries that feature this video: Leonardo da Vinci, Andrea del Verrocchio. The work was placed in position in 1483 and "has been acclaimed since the day of its unveiling and almost without exception recognised as a masterpiece. 50–56), Good photographs can be found in the Web Gallery of Art at www.wga.hu/index1.html, Funerary Monument to Cardinal Niccolo Forteguerri, Pistoia, https://brooklynrail.org/2019/11/artseen/Andrea-del-Verrocchio-Sculptor-and-Painter-of-Renaissance-Florence, Andrea del Verrocchio in the "History of Art", Andrea Verrocchio: 16th-century biography by Vasari, List of sites displaying Verrocchio's work, Andrea del Verrocchio at the National Gallery of Art, https://en.wikipedia.org/w/index.php?title=Andrea_del_Verrocchio&oldid=983943137, Short description is different from Wikidata, Wikipedia articles incorporating a citation from the 1911 Encyclopaedia Britannica with Wikisource reference, Wikipedia articles with CANTIC identifiers, Wikipedia articles with KULTURNAV identifiers, Wikipedia articles with RKDartists identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with Trove identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License. Verrocchio’s reputation was widespread in the second half of the 15th century and many well-known artists of the Italian Renaissance studied painting and sculpture at his Florentine studio. Solo in una terza fase, quella finale, venne chiesto a Leonardo da Vinci, allievo del Verrocchio, di ultimare il dipinto cercando di uniformare le parti già dipinte. Ordered in 1476, the cenotaph was still unfinished when Verrocchio died, and its completion was entrusted first to Lorenzo di Credi, then to Lorenzetti, and finally to a minor Italian Baroque sculptor. [9], A painting of the Madonna with seated child in tempera on panel (now in the Berlin State Museums, Gemäldegalerie) is considered an early work of 1468–1470. S. Fischer, Frankfurt am Main 2006, ISBN 978-3-10-052405-8; David Alan Brown: Leonardo da Vinci: Origins of a Genius. New York: Italica Press, pp. He is said to have been a pupil of the Florentine artist Alessio Baldovinetti. It has been suggested that he was trained as a painter under Fra Filippo Lippi. Bedeutend war Verrocchio vor allem als Bildhauer. Covi thinks that it was probably painted with assistance from Ghirlandaio. He apparently became known as Verrocchio after the surname of his master, a goldsmith. Il padre, Michele di Cione, era fabbricante di piastrelle e successivamente esattore delle tasse. Though he is said to have worked in Rome for Pope Sixtus IV, among others, there is no documentary trace that he ever left the area around Florence until the early 1480s, when he moved to Venice, where he died within a few years. Made curator of the collection of antiquities in the Medici palace, he restored many pieces of ancient Roman sculpture, especially portrait busts. His pupils included Leonardo da Vinci, Pietro Perugino and Lorenzo di Credi. (In 2009 one Leonardo da Vinci scholar suggested that two figures on the altar—the leftmost figure of the youth and the turbaned guard [seen from behind] about to draw his weapon—may have been fashioned by Leonardo.) Verrocchio’s first studies in painting date possibly from the mid-1460s. Completed in 1472, this sarcophagus, set in an archway, is impressive for its originality of composition and its inspired use of coloured marble and porphyry in conjunction with rich bronze ornamentation. Laut Vasari wurde der auf der linken Seite knieende Engel von Leonardo eingefügt. The lavabo has not always been accepted as his work. La sua notorietà crebbe notevolmente quando venne accolto all… Verrocchio’s first apprenticeship was to a goldsmith and later he was possibly apprentice of Donatello, it is also possible he was the apprentice of Fra Filippo Lippi who taught Verrocchio how to paint. Just fill in the form, send it to us and confirm the response e-mail - that's how easy you will become a recipient. This compositional device allows the hands, as well as the face, to express the character and mood of the sitter. The Baptism of Christ, now in the Uffizi Gallery at Florence, was painted in 1474–75. Eine besonders ausgezeichnete Begabung hatte er als Lehrer. Von ihm konnten seine Schüler viel lernen, denn er war nicht nur ein ausgezeichneter Maler, Holzschnitzer, Meister der Perspektive und Bronzegießer, sondern auch der führende Bildhauer in Florenz. His master has traditionally been recorded as a supposed goldsmith, Giuliano Verrocchi, whose last name Andrea apparently took as his own. Verrocchios Werkstatt war dabei kein Künstleratelier, wie wir es uns heute vorstellen, sondern vielmehr eine große Halle, fast eine Fabrik, in der eine Vielzahl von Künstlern mit unterschiedlichen Schwerpunkten und Stilen voneinander lernten und sich gegenseitig inspirierten. The putto, sometimes called a cupid, is precisely balanced in the projection of its limbs and probably was placed initially on a fountain so that it could be turned by the pressure of streams or jets of water. Innovationsmethoden sind ein Baustein für die Entwicklung von neuen Ideen, genauso entscheidend ist aber die Frage nach der inneren Haltung zu Kreativität und Veränderung. Da Vinci verbrachte 7 Jahre als junger Künstler in der Werkstatt von Verrocchio, neben weiteren bekannten „Auszubildenden“ wie Perugino und Lorenzo di Credi. In this work Verrocchio was assisted by Leonardo da Vinci, then a youth and a member of his workshop, who painted the angel on the left and the part of the background above. Andrea del Verrocchio und Leonardo da Vinci: Zusammenarbeit in Skulptur und Malerei Beiträge zur Kunstgeschichte des Mittelalters und der Renaissance: Amazon.de: … Der Gedanke dahinter ist, dass es nur der richtigen Methode bedarf, um Innovationen am Fließband zu produzieren. Leonardo da Vinci 15. Few paintings are attributed to him with certainty, but a number of important painters were trained at his workshop. Perhaps the most important work Verrocchio executed in Florence was a bronze group of Christ and St. Thomas commissioned for a niche in the east exterior wall of the Or San Michele in Florence. Initially he was trained as a goldsmith. This innovative scenographic conception was influential in the development of the equestrian figures executed from the Baroque period of the 17th century to those produced in the 19th century by sculptors of the Romantic style. Andrea, der eigentlich in der Goldschmiedekunst ausgebildet worden war, arbeitete sich als Allroundkünstler hoch, um für seine Familienangehörigen ausreichend sorgen zu können. By signing up for this email, you are agreeing to news, offers, and information from Encyclopaedia Britannica.
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